Folklore - Ancient crafts
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Thrapsano |
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- a potter's village |
Crete
has four villages with pottery as the main occupation: Kentrí
in Lassíthi County, Thrapsanó in Iráklio County, Margarítes in Réthymno
County and Nochiá in Chaniá County.
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The
potters in Kentri and in Nochia produce mostly smaller ceramics and have
permanent workshops. In the towns of Thrapsano
and Margarites the potters also produce the very big pots, pithária.
Until a few years ago these potters (pitharádes) travelled about
Crete producing and selling their products.
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Thrapsano,
25 km south east of Iraklio, has about 1.000 inhabitants of whom 26 are
potters, but more than half of the inhabitants have some connection to the
craft. The name of the village comes of the word thrápsala,
which means potsherds, and broken pottery you find
in large numbers around the kilns, as the village is the centre of pottery
in Crete.
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Sources
from the past 150 years tell us that the thrapsaniotes have practised
seasonal exodus, whereas in the village itself only relatively few kilns
operated, owned by the older potters who mostly produced smaller pots.
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The
exodus (vendéma) took place in
the summer season and followed a fixed and extremely well organized
procedure defined by working conditions and traditions.
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The
word vendema is of Venetian origin (vendemmis = harvest) and refers to the
"harvest of money", which the
potters could get by selling pots travelling about the island. But to the
rural population vendema meant a big harvest of olives. Every two years
the olives bear a particular amount of fruits. This does not happen all
over Crete at the same time but varies from area to area. The pattern
repeats itself, unless there are abnormal weather conditions or diseases
in the trees. Some older farmers have told me, that the potters came to
their area every two years i.e. the year of vendema. This was the most
profitable, as the need of pots increased correspondingly these years, and
the potters were able to make good earnings.
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Vendemiárides
or takími was a group of potters with different skills, who in
April - May went out to the remotest places in Crete (for example Zakros
to the east and Kastelli to the west) and returned to Thrapsano in
September.
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These
organized groups have been characterised as guilds just like those in
Western Europe. Even though the form of organization has resemblances, the
social and working conditions of the group are totally different from the
western models. First of all these groups did not consist of permanent
members but changed every year. Secondly the individual member might
choose another specialization, if that was what he wanted and had the
skills for. Thirdly a number of them left the occupation completely after
a period of time, while others might take it up again later. These free
practices have no relation whatsoever to the structure of the craft guilds
of the West.
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Organizer
for the whole procedure and leader of the group was the master (mástoras),
who was a specialized pitharás. The master left Thrapsano in
mid-winter (December - January) to rent a good kiln in an area, where a
good harvest was expected the following year. If that kiln was already
rented out, and it was not possible to find another satisfactory kiln in
the area, he had to go on to another area. Sometimes he went several
hundred kilometres away from Thrapsano.
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During
his journey he got information of where the other potters intended to
settle and estimated, how hard the competition would be. The travelling
potters knew very well the skills of all their rivals, whether these came
from Thrapsano or Margarites.
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Or
the master might decide to build a new kiln together with his group in an
area, where the harvest showed signs of becoming big. Even though it was a
time-consuming and strenuous process, it might be worth the effort. He
selected a suitable place near a watercourse or a spring and with
occurrences of clayey soil as well. Then he had to negotiate with the
owner of the land about getting a licence to build the kiln and about the
rent, which was usually paid in kind (pottery). According to the rules in
Crete the landowner owned the kiln as well, and therefore he was able to
rent it out to other potters the following years. This practice was a
result of the potters not settling the same place every year as already
mentioned. Hoping for a good vendema the potters often broke their
promises made in autumn of returning to the kiln next spring.
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A
last solution for a master, who could not achieve the above things, was to
rent a free kiln in an area without vendema harvest.
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When
the pitharás returned to Thrapsano, he went over his group and picked out
his helpers. These helpers then decided individually, if they were
interested in working with the master in the area he had chosen. But
because they might have had offers from other pitharádes as well, the
negotiations were often complex and prolonged.
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When
the takimi-group was formed, it
consisted in addition to the master of the following members:
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Sotomástoras
(Venetian
soto = under, meaning vice
master) was a potter, who produced smaller pots.
He
moreover assisted the master in making the last details on the big pots
(handles, decoration etc.).
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Chomatás
had the knowledge of finding clay. He took care of the digging up and the
preparation of the clay for the pots.
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Kamináris or xylás was responsible for the firing of the pots. Pithatás selected the kamináris very carefully, because one unsuccessful firing meant many days of lost work. Kamináris had to be very experienced, because it was difficult to estimate for how long time and at which temperature the firing was going to take place, as many factors enter into it: weather conditions, preheating, big or small pots, the quality of the firewood, the spreading of the heat in the kiln, how the kiln itself is fired etc. | |
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In
addition to that he had to gather - and often from far away - the big
amounts of wood needed for every single firing.
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Trocháris
turned
the pitharás' hand driven wheel strictly following his orders. It was a
difficult task, because the speeds of rotation were different, depending
on whether the master was forming the sides or the opening of the pot etc.
He
moreover helped the group with other jobs. Usually the trocháris was
at the age of 15 - 40 years.
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Kouvalítis
was a young man occupied by different small jobs. He took care of the
beasts of burden and assisted with the transport of clay and firewood.
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When
the vendemiárises set out at the
beginning of May, everyone except for kouvalitís brought along a donkey
or a mule. The animals were loaded with the necessary tools (wheel,
hammers. shovels, mattocks etc), things for the camping (kitchen ware,
blankets etc.) together with food for the journey itself and for the first
weeks of work. The beasts of burden were later used for transport of the
pots to the surrounding villages.
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They
installed themselves near the kiln in simple huts made of branches. After
a period of time with intensive work chiefly carrying out orders for pithária,
some members of the group offered their products for sale in the
surrounding area.
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In
September when it was time for returning to Thrapsano, the master
calculated the earnings. The profit was distributed in the following way:
he himself and kamináris had 11/4 part each, sotomástoras,
chomatás and trocháris 1 part each and kouvalitís ˝ part.
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